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Janoska Ensemble
Janoska Ensemble New directions in music are currently trending under imaginative names, fusion and crossover categories are constantly expanding. But the classically-trained Janoska Ensemble crosses all boundaries with its polyglot musical language. Its debut CD, which climbed to gold within a few months, bears the apt title “Janoska Style” (Deutsche Grammophon 2016). Summing up the special quality of the Janoska arrangements in a few words is no easy task: they are parallel incursions into classical territory and into far distant realms of musical repertoire, in which the musicians exercise their spontaneous creativity to fashion first-class, innovative, thrilling music that lives and breathes. These incomparably audience-friendly transformations are the work of three brothers from Bratislava – Ondrej and Roman Janoska playing violins and František Janoska at the piano – together with their Konstanz-born brother-in-law Julius Darvas on double-bass. One thing the two families have in common is their active tradition of musicianship. The Janoskas have been making music for six generations, Julius Darvas builds on three generations and more of double-bass playing. Another quality shared by the ensemble’s members is a first-rate classical education and prizewinning solo achievement. Selectively enriching their programmes, often with evocative titles, compositions of their own serve as emotional visiting-cards that shed a revealing light on the personalities of these outstanding artists. In their own individual styles, the four musicians join in expressing their love of improvisation with enthusiastic abandon and consummate virtuosity, and are rewarded for their achievement at live performances on four continents to date with rapturous applause from a discerning audience. The Janoska Ensemble is – in pop jargon – a “live band”. The emotional intelligence and subtle humour of the artists’ interaction with their audience and their masterfully staged play on familiar melodies and surprise effects in the musical numbers they have newly created can be relied upon to stir listeners from their seats, who almost invariably, at the end of the concert, show their appreciation in enthusiastic standing ovations. Their Janoska Style, their never merely superficial virtuosity and their ability to engage with one another and their audience in quick-fire musical dialogue have brought the artists invitations from big-name stage personalities such as Anna Netrebko, Al Jarreau, Bobby McFerrin, Juan Diego Florez, Brian McKnight, Julian Rachlin, Randy Newman, Bireli Lagrene and Lalo Schifrin. The Janoska Ensemble transmits an inexhaustible passion for making music, despite their full calendar of engagements and tours, and the four musicians are constantly working on new programmes and projects. Their unique “Janoska Style” forms the basis for all that is yet to come, representing the seal of approval for one of the most thrilling and universal music ensembles of the present day. This concentrated versatility of the Janoska Ensemble now allows it to break new ground in the choice of its musical material on the album REVOLUTION. In homage to the four ingenious Liverpoolers, the Janoska Ensemble has arranged four top Beatles hits in Janoska style for their album. At the same time, something comes into play that puts the CD title in the intended frame of interpretation: "We do not want to compare ourselves imprudently with the Beatles," says Julius Darvas, "but what they have achieved in pop music at the time is what we strive for today classic area. In a sense, we want to revolutionize classical music, just as the Beatles revolutionized pop music. We revive free improvisation when interpreting classical works, something that was something that was taken for granted in the baroque era, for example. Roman Janoska plays a violin, kindly loaned to him by Dr. Christian Kuhn. Janoska Ensemble Ondrej Janoska, Violine Roman Janoska, Violine František Janoska, Klavier Julius Darvas, Kontrabass

Songs

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Yesterday
Janoska Ensemble
2
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Bartók: Romanian Folk Dances in Janoska Style: I. Jocul cu bâta
Janoska Ensemble
3
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Vivaldi: Storm in Janoska Style (Third Movement from The Four Seasons in Janoska Style, Summer, Violin Concerto in G Minor, Op. 8/2, RV 315)
Janoska Ensemble
4
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Souvenir pour Elise (Based on Beethoven's "For Elise")
Janoska Ensemble
5
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Brahms: Hungarian Dance No. 1 in G Minor, WoO 1 No. 1 (Arr. Janoska Ensemble): Allegro molto
Janoska Ensemble

Albums

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Vivaldi: The Four Seasons in Janoska Style

2024
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The Big B's

2022
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Revolution

2019
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Janoska Style

2016

Singles & EPs

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Vivaldi: Storm in Janoska Style

Single • 2024
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J.S. Bach: Concerto for 2 Violins in D Minor, BWV 1043 - Arr. Janoska Ensemble: III. Allegro

Single • 2022
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Janoska Bells (Paraphrase on Jingle Bells in Janoska Style)

Single • 2022
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Bartók: Romanian Folk Dances in Janoska Style: I. Jocul cu bâta

Single • 2022
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Yesterday

Single • 2019

Videos

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Bartók: Romanian Folk Dances in Janoska Style - I. Jocul cu bâta

Janoska Ensemble • 47K views

Live performances

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"Air" (Johann Sebastian Bach) in Janoska Style - Janoska Ensemble

Janoska Ensemble • 30K views
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"Estrellita" (Manuel Ponce / Arr. Jascha Heifetz) in Janoska Style - Roman and František Janoska

Janoska Ensemble • 5.6K views
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Janoska Ensemble / Arpád Janoska - Love Theme from Cinema Paradiso

Janoska Ensemble • 16K views
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Salvador Sobral - Amar Pelos Dois in Janoska Style

Janoska Ensemble • 49K views
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Janoska Style goes Symphonic / Frühling in Wien / Wiener Symphoniker / Ádam Fischer

Janoska Ensemble • 4K views
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Janoska Ensemble performs Jules Massenet's Méditation aus der Oper "Thaïs"

Janoska Ensemble • 11K views
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Ondrej Janoska playing part of Tschaikowsky Violin Concerto

Janoska Ensemble • 4.3K views
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“Oblivion” (Astor Piazzolla) in Janoska Style - Janoska Ensemble and Arpád Janoska

Janoska Ensemble • 9.9K views

Playlists by Janoska Ensemble